Albrecht Dürer – The Seven Sorrows of the Virgin - The Nailing of Christ to the Cross
1495-96. 63x46
Location: Old Masters Picture Gallery (Gemäldegalerie Alte Meister), Dresden.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The primary focus rests on the man undergoing the ordeal. His head is bowed, his limbs extended, revealing a vulnerability heightened by the forceful actions of those around him. Two figures actively participate in securing him to the cross; one hammers with considerable force, while the other prepares another nail. Their faces are rendered with an almost brutal realism, devoid of any apparent empathy or remorse. The man hammering is particularly striking, his muscular build and intense gaze suggesting a deliberate act of cruelty.
Above this central action, a group of onlookers is positioned on a raised plane. A woman, presumably the mother of the afflicted man, stands in the midst of several other figures, her face etched with profound sorrow. She appears to be enveloped by a halo, signifying her sanctity and highlighting her role as a witness to this painful event. The surrounding individuals display varying degrees of distress – some appear to weep openly, while others seem lost in silent contemplation.
The landscape itself contributes to the overall mood. A rocky outcrop on the left provides a stark contrast to the lush green grass below, symbolizing perhaps the harshness of fate and the fragility of life. The distant trees are rendered with a simplified style, contributing to the sense of depth while avoiding unnecessary detail that might distract from the central drama.
Subtleties within the painting suggest deeper layers of meaning. The deliberate positioning of figures creates a visual hierarchy, emphasizing the suffering of the man on the cross and the grief of his mother. The use of light and shadow further accentuates this effect, highlighting key areas of action and drawing attention to the emotional intensity of the scene. The overall impression is one of profound religious devotion intertwined with an unflinching portrayal of human pain and sacrifice.