Robert Seldon Duncanson – Still Life with Fruit and Nuts
1848. oil on board
Location: National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A ripe pear dominates the upper portion of the arrangement, its form subtly illuminated from an unseen light source. Adjacent to it are several apples – one a vibrant red, another with a muted pink hue – alongside clusters of grapes, their pale blue-grey color contrasting with the warmer tones of the fruit. A cascade of small, dark berries drapes down from the central grouping, adding textural complexity and visual weight.
The lower portion of the platter is populated by an assortment of nuts: walnuts, hazelnuts, peanuts, and almonds are scattered across the surface, their varied shapes and textures contributing to a sense of abundance. The artist has paid close attention to rendering the surfaces of these objects; the smooth skin of the apples, the velvety texture of the pear, and the rough shells of the nuts all appear convincingly real.
The lighting is carefully controlled, creating subtle gradations of light and shadow that enhance the three-dimensionality of the objects. The overall effect is one of quiet contemplation and restrained elegance.
Beyond a simple depiction of fruit and nuts, the painting evokes themes of abundance, transience, and the cyclical nature of life. The ripeness of the fruit suggests a moment of peak perfection, while their inevitable decay remains implied – a silent reminder of mortality. The arrangement itself can be interpreted as a symbol of prosperity and sustenance, yet the dark background hints at an underlying sense of melancholy or impermanence. The deliberate simplicity of the composition encourages close observation and invites reflection on the beauty found in everyday objects.