John Closterman – John Poulett, 1st Earl Poulett
c.1680. 194×132
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The gentleman’s attire is noteworthy. He wears a dark blue coat, richly embroidered along the front and cuffs with intricate gold detailing. Beneath the coat, a waistcoat of similar material is visible. His breeches are tucked into low-heeled shoes, typical of the period. The overall effect conveys an impression of wealth and status, but also a deliberate attempt to project an image of active engagement with nature rather than solely aristocratic leisure.
A dog stands attentively at his feet, its posture suggesting alertness and loyalty. Its presence adds another layer to the narrative – companionship in outdoor activities and perhaps symbolizing fidelity or domesticity.
The background is deliberately indistinct, composed of muted tones that create a sense of depth. A suggestion of architectural elements – possibly columns – can be discerned on the left side, hinting at a grand estate without distracting from the central figure. The light source appears to originate from the upper left, illuminating his face and highlighting the textures of his clothing.
The gentleman’s expression is somewhat reserved; he gazes directly out towards the viewer with an air of quiet confidence. This directness establishes a connection between the subject and the observer, inviting contemplation on his character and social standing. The painting seems to be less about formal portraiture and more about constructing a persona – one that blends aristocratic privilege with an active, outdoorsy lifestyle.