Roerich N.K. – Mongolia (Graves desert)
1929-1930. Hardboard, tempera. 30.2 x 40.2 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, a rocky outcrop rises from the ground, its forms simplified and rendered with a rough texture. Upon this elevated position stands a solitary figure on horseback. The rider’s form is silhouetted against the lighter background, obscuring any detail of their features or attire. They hold aloft what appears to be a spear or staff, adding an element of potential authority or purpose to their presence.
The compositions sparseness contributes significantly to its mood. There are no signs of life beyond this single figure; no vegetation, no animals, only the unrelenting expanse of rock and sky. This absence reinforces the feeling of isolation and perhaps even vulnerability. The subdued color palette further amplifies this sense of quietude and melancholy.
The painting’s subtexts seem to revolve around themes of solitude, endurance, and the insignificance of individual existence within a larger, indifferent world. The riders posture – upright but seemingly weary – suggests resilience in the face of adversity. The landscape itself becomes symbolic, representing not just a physical place, but also an emotional state: one of quiet contemplation or perhaps even resignation. It is possible to interpret this scene as a meditation on the human condition within a harsh and unforgiving environment, where survival depends on strength and adaptability.