Roerich N.K. – Gompa # 11
1932. Canvas on cardboard, tempera. 26.9 x 36.5 cm.
Location: Nicholas Roerich Museum of the United States. New York
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The dominant feature of the painting is undoubtedly the sky. It’s an expanse of swirling color, predominantly pink and peach hues interwoven with patches of green and grey. These colors are not naturalistic; they evoke a sense of heightened emotion or dreamlike atmosphere rather than a literal depiction of atmospheric conditions. The brushwork here is loose and expressive, contributing to the feeling of movement and instability within the sky.
The hill upon which the structure sits is painted in muted purples and browns, providing a grounding element that contrasts with the ethereal quality of the sky. A band of blue delineates the horizon line, further emphasizing the depth of space. The dark border surrounding the image creates a frame, isolating the scene and intensifying its focus.
Subtly, there’s an interplay between solidity and transience. The building, despite its simplified form, suggests permanence and human presence. However, it is dwarfed by the vastness and dynamism of the sky, implying the fragility of human endeavors against the backdrop of natures power. The color palette, while visually striking, also contributes to a sense of melancholy or introspection. The pink tones, often associated with warmth and affection, are tempered by the grey and green, creating an overall mood that is complex and nuanced.
The painting’s strength lies in its ability to evoke feeling through abstraction. It doesnt attempt to represent reality faithfully but instead uses color and form to convey a subjective experience of place – a sense of solitude, contemplation, and perhaps even a touch of longing.