Yurtas # 20 Roerich N.K. (Part 3)
Roerich N.K. – Yurtas # 20
1931. Canvas on cardboard, tempera. 24.5 x 35 in light; 30 x 40 cm.
Edit attribution
Download full size: 789×559 px (0,1 Mb)
Back to album: Roerich N.K. (Part 3)
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).


















You cannot comment Why?
The foreground is defined by a dark, undulating expanse, possibly representing shadows cast by the structures or a textured ground cover. Several large, rounded stones are scattered across this area, adding visual weight and contributing to the overall sense of an arid, natural setting. The middle ground showcases the dwellings themselves, their forms simplified and somewhat abstracted, yet retaining a recognizable architectural quality.
In the background, a range of low mountains rises against a pale blue sky. These distant peaks are rendered with minimal detail, appearing as hazy silhouettes that contribute to the painting’s sense of depth and vastness. The sky itself is layered with subtle gradations of color, suggesting atmospheric perspective and a diffused light source.
The composition evokes a feeling of quiet solitude and remoteness. The absence of human figures amplifies this impression, prompting reflection on the relationship between humanity and its environment. The dwellings, while seemingly functional, appear almost absorbed into the landscape, hinting at a lifestyle deeply intertwined with nature’s rhythms.
Subtly, theres an element of melancholy present in the muted palette and the expansive emptiness of the scene. It suggests a sense of transience or perhaps a fading way of life, prompting consideration of themes related to cultural identity, displacement, and the impact of modernity on traditional communities. The simplicity of the forms and the limited color range contribute to a feeling of timelessness, as if this scene could exist outside of specific historical context.