Roerich N.K. – Tester Buddha (the Buddha in the underwater kingdom)
1926-1927. Plywood, tempera, pencil. 38 x 78 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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Here we see a humanoid form, rendered with a serene expression and draped in flowing white garments. A halo-like aura surrounds the head, suggesting divinity or enlightenment. The posture is upright and dignified, conveying an air of composure and peace despite the unusual setting.
The surrounding environment teems with aquatic life. Schools of fish swim around the figure, their forms rendered with a loose, almost impressionistic style. Coral formations rise from the seabed, adding texture and visual interest to the scene. An octopus is visible in the lower right corner, its tentacles subtly intertwined with the coral structures.
The subtexts within this painting are layered and open to interpretation. The placement of the figure within an underwater realm could symbolize a descent into the subconscious or a journey towards spiritual understanding. Water often represents purification and transformation; therefore, the submerged setting might suggest a process of cleansing or rebirth. The presence of marine life implies harmony with nature and interconnectedness.
The contrast between the luminous figure and the dark blue background creates a visual tension that draws attention to the central subject. This juxtaposition could represent the struggle between enlightenment and ignorance, or the triumph of spiritual awareness over worldly concerns. The overall effect is one of quiet contemplation and profound symbolism, inviting viewers to reflect on themes of spirituality, nature, and the human condition.