Roerich N.K. – Naagaarjuna - Winner Serpent # 13
1925. Tempera on canvas. 73.4 x 117.4 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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The landscape itself is defined by sharply angled mountains flanking either side, their peaks rendered in shades of grey and purple, creating a sense of enclosure and imposing scale. A body of water stretches across the foreground, reflecting the colors of the sky and the surrounding terrain, contributing to an overall atmosphere of stillness and quietude. The horizon line is relatively low, emphasizing the vastness of the mountainous backdrop.
In the lower right corner, a solitary figure stands facing away from the viewer. Clad in red garments, this individual appears small in comparison to the monumental serpent structure, suggesting a sense of insignificance or perhaps reverence before an overwhelming power. The placement of the figure also creates a visual pathway into the scene, drawing the eye towards the central symbolic form.
The painting’s color palette is restrained, relying on muted tones of purple, grey, pink, and brown. This limited range contributes to the works overall sense of mystery and otherworldliness. The texture appears somewhat rough, suggesting a deliberate avoidance of smooth surfaces and contributing to the feeling of an ancient or primordial scene.
Subtextually, the image seems to explore themes of transformation, power, and perhaps the relationship between humanity and nature. The serpent, often associated with wisdom, healing, and rebirth in various cultures, is presented not as a menacing creature but as a source of light and potential. The human face within its mouth could symbolize the integration of consciousness or the unveiling of hidden knowledge. The solitary figure’s posture suggests contemplation or submission to a force beyond comprehension. Overall, the work evokes a sense of profound mystery and invites reflection on the nature of existence and the power of symbolic representation.