Roerich N.K. – Stupa. Countryside # 63
1924. Canvas on cardboard, tempera. 30.5 x 41 cm.
Location: Collection А.В. Melnikov. Russia. Moscow
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Above this immediate area rises a series of undulating hills or low mountains. Their coloration shifts gradually from the foreground’s earthy hues to cooler blues and grays as they recede into the background. This tonal progression suggests depth but also contributes to an overall feeling of detachment, as if the landscape is viewed through a filter. The artist employed brushstrokes that emphasize texture; the visible marks contribute to the paintings palpable physicality.
The sky, or what appears to be the upper portion of the scene, is rendered in varying shades of blue, blending seamlessly with the distant mountains. This lack of distinct horizon line further compresses the space and reinforces the sense of an enclosed environment.
Subtly punctuating the foreground structures are vertical elements – thin, spire-like forms that suggest towers or perhaps stylized representations of natural features like trees. These details add a note of ambiguity to the scene; they could be interpreted as religious symbols, architectural markers, or simply abstract compositional devices.
The painting’s subdued color scheme and geometric abstraction evoke a sense of quiet contemplation. The absence of human figures contributes to this feeling of isolation, suggesting a landscape observed from afar, perhaps imbued with a spiritual or symbolic significance beyond its literal depiction. The overall effect is one of stylized observation, where the artist prioritizes form and structure over realistic representation, creating an environment that feels both familiar and strangely alien.