Roerich N.K. – Gundlach. Residence Thakur # 4
1932. Canvas on cardboard, tempera. 22.5 x 42.5 cm.
Location: Latvian National Museum of Art, Riga (Latvijas Nacionālais mākslas muzejs).
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The building sits atop a steep rise, which is rendered in shades of green and brown, suggesting vegetation and earth. Behind it, a range of mountains rises sharply, their peaks delineated by a cool blue hue that conveys distance and atmospheric perspective. The sky above is divided into areas of pale blue and grey-white, hinting at diffused light or an overcast condition.
The artist’s use of color is notable for its limited palette and the application of blocks of tone rather than blended gradations. This approach creates a flattened effect, reducing depth and emphasizing the formal qualities of the composition. The colors are not naturalistic; instead, they appear chosen to convey mood and structure more than accurate representation.
The arrangement of elements suggests a deliberate attempt to portray power and permanence. The building’s imposing size and placement on an elevated position imply authority or dominion over the surrounding landscape. The starkness of the architecture and the muted color scheme contribute to a feeling of austerity, perhaps hinting at a sense of detachment from the natural world.
Subtly, there is a tension between the man-made structure and the untamed wilderness behind it. While the building appears firmly rooted in its environment, its geometric rigidity contrasts sharply with the organic forms of the mountains. This juxtaposition might suggest themes of human intervention in nature or the complex relationship between civilization and the wild. The absence of any figures further reinforces a sense of solitude and introspection, inviting contemplation on the nature of power, isolation, and humanity’s place within a larger world.