Roerich N.K. – Dowry Chinese princess Wen-Ching
1928-1929. Tempera on canvas. 117.5 x 73.5 cm.
Location: Collection Joe Dzhagoda. USA.Dallas
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A group of figures moves along a path at the base of these mountains. They are mounted on various animals – camels and horses – and accompanied by a wheeled cart or carriage. Their attire suggests a formal occasion; they appear adorned with elaborate headwear and garments, hinting at status and importance. The arrangement implies a journey, possibly one of considerable significance given the accompanying retinue and transport.
The artist’s choice to minimize detail in the figures directs attention towards the landscape itself. This prioritization reinforces the idea that the environment is not merely a backdrop but an active participant in the narrative. The mountains symbolize obstacles, challenges, or perhaps even the weight of responsibility associated with the journey. Their sheer size and impassivity suggest a timelessness and permanence that dwarfs the human endeavor unfolding before them.
The subdued color scheme contributes to a feeling of solemnity and formality. It evokes a sense of distance, both physical and emotional, between the viewer and the scene. The lack of vibrant hues might also symbolize the gravity of the occasion or the sacrifices inherent in the undertaking.
Subtly, there’s an element of isolation present. The figures are small within this vast landscape, suggesting vulnerability and dependence on external forces – be they natural or political. The painting conveys a narrative of transition, of leaving behind one place for another, underscored by the imposing presence of the mountains that define the path forward.