Roerich N.K. – Himalayas Steps # 22
1924. Tempera on canvas. 72 x 114.5 cm.
Location: Collection Joe Dzhagoda. USA.Dallas
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Here we see a series of mountain ranges stacked upon one another, each progressively lighter in tone as they diminish into the distance. These peaks are not sharply defined; instead, their edges blur, contributing to an overall sense of vastness and remoteness. The lower portions of the image feature cloud formations that partially obscure the mountains below, creating a visual ambiguity between earth and sky.
The absence of any human presence or specific geographical markers contributes to a feeling of universality. This is not a depiction of a particular place but rather an evocation of a landscape archetype – a realm of monumental scale and spiritual significance. The repetitive nature of the mountain forms suggests a cyclical process, perhaps symbolizing endurance, perseverance, or the relentless passage of time.
The limited color range reinforces this sense of abstraction and invites contemplation beyond literal representation. The blue tones evoke feelings of tranquility, solitude, and even melancholy, while the white clouds introduce an element of lightness and transcendence. The stark black borders framing the image further isolate the scene, emphasizing its otherworldly quality and directing the viewers attention solely to the landscape within.
The painting’s subtexts likely explore themes of spirituality, the sublime, and humanity’s relationship with nature. It suggests a yearning for something beyond the tangible world – a search for meaning in the face of overwhelming scale and mystery.