David Klöcker Ehrenstråhl (Attributed) – Otto Vilhelm von Königsmarck (1639-1688)
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s hair is styled in voluminous curls characteristic of the late 17th century, framing his face and adding visual weight to the upper portion of the composition. The dark color of his hair contrasts with the lighter tones of his skin, highlighting the contours of his features. He wears a richly decorated military coat or doublet, adorned with intricate gold embroidery that suggests high rank and status. A glimpse of what appears to be armor is visible at his right shoulder, reinforcing his martial identity.
The lighting in the painting is carefully controlled; it illuminates the face and upper body while leaving the background shrouded in shadow. This technique draws attention to the subjects features and emphasizes his presence within the frame. The dark backdrop also serves to isolate him, creating a sense of introspection or solitude.
Subtleties in the portrayal suggest more than just a straightforward depiction of military prowess. There’s an underlying weariness visible in the man’s eyes, hinting at experiences beyond mere battlefield glory. The formal pose and elaborate clothing are typical for portraits intended to project power and status, but the lack of overt joy or animation introduces a layer of complexity. It is possible that the artist aimed to convey not only the subjects position but also his inner state – perhaps reflecting on burdens of responsibility or the weight of history. The oval format itself contributes to this sense of contained introspection; it creates a feeling of enclosure, as if the man exists within a defined sphere of influence and consequence.