David Klöcker Ehrenstråhl (Attributed) – Hans Wachtmeister of Johannishus (1641-1714)
1690. 142×112
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a man dressed in opulent garments – a richly embroidered coat of reddish-brown hue dominates the visual field, complemented by a white lace cravat at the neck and a fur-lined cloak draped over his shoulders. The texture of the fabrics is rendered with considerable care, suggesting both wealth and meticulous craftsmanship. A broad sash or belt cinches the coat, further accentuating his figure and hinting at an official role.
The background is deliberately subdued; a dark, indeterminate space frames him on one side, while a window offers a glimpse of a distant landscape – a muted suggestion of nature beyond the confines of his immediate environment. The light entering through this window illuminates his face and upper body, drawing attention to these key areas. The lighting itself seems controlled, avoiding harsh contrasts and contributing to an overall impression of dignified composure.
His hands are positioned in a relaxed yet deliberate manner – one resting on the armrest of the chair, the other slightly extended, suggesting a sense of ease and command. The hair is styled in voluminous curls characteristic of the period, adding to the air of aristocratic elegance.
Subtly, the painting conveys themes of power, status, and perhaps even responsibility. The formal pose and elaborate clothing are clear indicators of high social standing. The controlled lighting and background contribute to a sense of solemnity and gravitas. The distant landscape visible through the window might symbolize his connection to broader realms or responsibilities beyond his immediate surroundings. Overall, the portrait aims to project an image of authority, refinement, and established position within a hierarchical society.