Part 1 – Giovanni Batista Cima (c.1459-1517-18) - Enthroned Madonna with Child and SS Peter, Romualdus, Benedict and Paul
1495-97. 206x135
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The enthroned woman is draped in rich fabrics – a blue mantle over a red underdress – that suggest both royalty and piety. Her expression is serene, her gaze directed towards the viewer with an air of gentle authority. The infant she holds appears to be engaged with his mother, his posture conveying innocence and trust.
Flanking the central figure are four male figures, each distinguished by their attire and gestures. Two stand on either side of the throne; one holds a staff, while the other displays a book. Their faces bear expressions of reverence and solemnity. The remaining two men are positioned slightly further back, also exhibiting signs of respect through their postures and facial expressions. They appear to be engaged in reading or contemplation.
The architectural setting is significant. A grand archway forms the backdrop, painted with a blue sky dotted with clouds, creating a sense of depth and transcendence. Ornate detailing adorns the throne itself, further emphasizing its importance and grandeur. The upper portion of the composition features a series of small medallions depicting additional figures within an elaborate decorative framework.
Subtly, the painting conveys themes of divine motherhood, spiritual authority, and intercession. The presence of the male figures suggests a hierarchical structure – perhaps representing saints or patrons – who offer homage to the central figure and her child. The rich colors and detailed rendering contribute to an overall impression of opulence and sacredness, reinforcing the importance of the depicted scene within a religious context. The dark background serves not only as contrast but also creates a sense of enclosure, drawing attention towards the illuminated figures at the center of the composition.