Deodato di Orlando – Two wings of a triptych or support altar with three scenes Part 1

The composition presents a sequence of narrative panels arranged in two vertical registers, suggesting portions of a larger, likely hinged structure – perhaps wings of a triptych or a support for an altar. The overall aesthetic is characterized by a flattened perspective and the pervasive use of gold leaf as a background, typical of Byzantine and related artistic traditions.
The uppermost register begins with a scene depicting two figures engaged in what appears to be a formal exchange; one holds a staff, suggesting authority or status. Their garments are elaborate, indicating high social standing. Adjacent to this is a complex grouping of numerous figures arranged around an architectural structure – a portico or arched niche – with a single figure positioned within the recess, holding a scroll. The arrangement suggests a ceremonial event or divine revelation.
The central register introduces a scene centered on a shrouded form resting upon a raised platform. A group of onlookers surrounds this focal point; several figures appear to be offering vessels, possibly containing libations or other ritualistic elements. This panel evokes themes of mourning, reverence, and perhaps the presentation of offerings. The following panel shows a figure addressing a large crowd – a posture indicative of teaching or proclamation. The multitude is rendered with limited individual detail, emphasizing their collective role as recipients of this message.
The lower register depicts what appears to be an encounter between a seated male figure and several female figures. A winged creature hovers nearby, adding a sense of the supernatural. This scene likely represents a moment of divine intervention or revelation. The final panel portrays a central figure – presumably Christ – crucified upon a cross, surrounded by a throng of onlookers and accompanied by angelic presences.
The gold background serves not merely as decoration but also to create an otherworldly atmosphere, distancing the depicted events from earthly reality. The limited depth of field and stylized figures contribute to this effect, prioritizing symbolic meaning over naturalistic representation. The consistent use of red in the garments of several figures may signify royalty, sacrifice, or divine passion.
Subtly, a sense of narrative progression is established through the sequence of scenes – from formal interaction to mourning, revelation, teaching, and ultimately, sacrifice. This suggests a deliberate attempt by the artist to convey a complex theological message or recount a significant historical event within a structured visual framework.