Bartolomeo Montagna (1449-50-1523) – Enthroned The Virgin and Child, St. Homobonus, St. Francis of Assisi Part 1

The composition presents a central figure of a woman seated upon an elaborate throne, holding an infant in her arms. She is draped in rich fabrics – a golden gown beneath a deep blue mantle – and possesses a serene expression. The child appears to be reaching towards the viewer, his gaze directed outwards.
Flanking this principal grouping are two male figures. To the left stands a man dressed in vibrant red robes, holding an object that resembles a painters palette and brush. He is accompanied by a smaller figure, seemingly a beggar or mendicant, who gestures upwards towards the enthroned woman. On the right side of the composition, another man, clad in a brown habit characteristic of a religious order, holds a book and extends his hand as if offering it to the central figure.
The throne itself is an architectural construct, seemingly built from marble blocks and adorned with decorative elements. At its base, a small female figure, also dressed in elaborate attire, appears to be emerging from the structure. An inscription is visible on the lower portion of the throne’s base.
Behind the figures, a landscape unfolds – a distant vista of rolling hills and trees rendered in muted tones. A decorative architectural element, possibly part of a building or pavilion, rises above the central group, adding depth to the scene. The lighting is even, illuminating all figures with a soft glow that minimizes harsh shadows.
The arrangement suggests a hierarchical structure, with the woman on the throne representing authority and grace. The presence of the two male figures implies intercession or advocacy – one seemingly representing artistic creation and intellectual pursuit, while the other embodies religious devotion and scholarship. The inclusion of the beggar figure introduces an element of humility and charity, perhaps suggesting divine compassion for those in need. The small female figure at the base of the throne might symbolize purity or a nascent virtue emerging from a foundation of strength. Overall, the painting conveys themes of piety, generosity, artistic endeavor, and spiritual guidance within a carefully constructed visual narrative.