Bernardo Daddi (c.1290-1348) – Altar of the coronation of the Virgin Part 1

The triptych presents a complex theological narrative through a combination of scenes and figures arranged within a hierarchical structure. The central panel dominates with a coronation ceremony taking place within a grand architectural setting. Here we see a regal figure, draped in blue robes and seated on an elevated throne, performing the act of crowning another figure clad in white. A multitude of smaller figures surround them, kneeling or standing in postures of reverence and adoration. Their expressions are largely solemn, contributing to the overall atmosphere of piety and solemnity. The composition is tightly packed, with little sense of spatial depth; this reinforces the focus on the central event and its symbolic weight.
Flanking the central panel are two additional scenes contained within pointed arches. To the left, a stable scene unfolds, depicting a woman in blue robes reclining near an animal – likely intended to represent the Nativity. The details are rendered with a degree of naturalism, though the figures retain a stylized quality characteristic of the period. On the right side, a depiction of the Crucifixion is presented. Christ hangs upon the cross, surrounded by grieving figures and Roman soldiers. A pool of blood collects at the base of the cross, emphasizing the sacrifice and suffering inherent in the narrative.
The gold leaf used for the architectural elements and the halos surrounding several figures creates an ethereal quality, suggesting a heavenly realm. The color palette is dominated by blues, reds, whites, and golds – colors often associated with royalty, divinity, and purity within Christian iconography.
Subtly embedded within this visual arrangement are layers of meaning. The coronation scene likely signifies the Virgin Mary’s assumption into heaven and her elevation to a position of honor alongside Christ. Juxtaposing this celebratory event with the Nativity and Crucifixion creates a powerful narrative arc, encompassing both the beginning and end of Christs earthly life – a visual representation of his incarnation, sacrifice, and ultimate triumph. The inclusion of numerous figures suggests a communal aspect to faith, emphasizing the participation of believers in divine events. The overall effect is one of profound religious devotion, intended to inspire contemplation and reverence within the viewer.