Master of Cartellini – Angels with the Column of the Flagellation and other instruments of the Passion
1445~1455
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The column itself occupies a central position, its fluted shaft rising from a grassy base to a detailed capital. It appears not as a structural support but as an object of interaction. Three of the figures are positioned around it, their actions suggesting a complex relationship with this symbolic element. One angel holds aloft a long, slender spear or rod, pointing upwards and seemingly towards some unseen point beyond the frame. Another leans against the column, his posture relaxed yet attentive. A third figure grasps what appears to be a trumpet-like instrument, held diagonally across his body. The fourth angel stands slightly apart, also holding a similar spear.
The angels’ bodies are rendered with meticulous detail; their skin tones are pale and luminous, contrasting with the darker background. Their wings, delicately feathered, add to their ethereal quality. There is an intentional lack of overt emotional expression in their faces – a stillness that contributes to the paintings enigmatic nature. The figures appear almost childlike, yet their actions carry a weight beyond simple playfulness.
Subtleties within the work suggest layers of meaning. The column, evoking classical architecture and therefore antiquity, might represent divine authority or established tradition. The spear, frequently associated with suffering and sacrifice in religious iconography, hints at themes of pain and redemption. The trumpet could symbolize announcement or a call to attention. The angels’ interaction with these objects implies an active role in some unseen narrative – a participation that is both gentle and profound.
The paintings vertical format reinforces the sense of aspiration and transcendence. The limited palette and subdued lighting contribute to a mood of solemnity, inviting contemplation on themes of faith, suffering, and divine intervention. It’s not merely a depiction of angels; it’s an exploration of their role within a larger, perhaps painful, cosmic drama.