Carlos Saenz De Tejada – #41603
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right of this figure, a bull’s head is depicted with considerable detail, its mouth agape in a silent roar, teeth prominently displayed. The animals posture suggests both aggression and distress. Behind the central figure, a draped fabric hangs from a structure that could be interpreted as scaffolding or architectural elements defining the arena space.
The artist has employed a linear style, relying heavily on contour lines to define shapes and create depth. Shading is minimal, contributing to an overall sense of flatness and detachment. The drawing’s starkness emphasizes the unsettling nature of the scene.
Subtexts within this work appear to revolve around themes of power, spectacle, and perhaps even dehumanization. The bald figure, adorned in ornate clothing, could be interpreted as a representation of authority or privilege – a participant in a ritualistic display. The bull’s head serves as a symbol of primal force and potential violence, juxtaposed against the impassive demeanor of the human figure.
The inscription at the bottom left corner, written in what appears to be Spanish, adds another layer of complexity. It references El Gallo (the rooster) and mentions Madrid, potentially alluding to a specific event or location associated with bullfighting traditions. The handwritten nature of this annotation suggests a personal connection between the artist and the subject matter.
Overall, the drawing conveys a sense of unease and alienation, prompting reflection on the dynamics of power, tradition, and the human condition within a formalized spectacle.