#41610 Carlos Saenz De Tejada

Here we see a figure rendered in a style that emphasizes both anatomical detail and expressive distortion. The subject appears to be seated, possibly on a bed or chair, as suggested by the loosely sketched white form beneath them. Their posture is one of upward gaze, hands raised towards the sky in what could be interpreted as supplication, longing, or perhaps even a gesture of release.
The color palette is restricted and impactful. The figures skin tone is rendered in muted grays and whites, creating an unsettling pallor that evokes fragility and illness. This contrasts with the warmer tones of their clothing – a green upper garment and ochre sleeves – which provide a visual anchor but also highlight the starkness of the complexion.
The artist’s technique contributes significantly to the overall mood. The drawing is not fully rendered; instead, it retains visible sketch lines, particularly in the background and around the figures form. This creates a sense of immediacy and vulnerability, as if we are witnessing an unfinished or fleeting moment. The rendering of the face is particularly striking – the features are elongated and gaunt, emphasizing bone structure and conveying a profound sense of suffering or exhaustion.
The composition’s simplicity – a single figure against a vast white space – amplifies the emotional weight of the scene. It isolates the subject, drawing our attention solely to their internal state. The upward gaze, combined with the raised hands, suggests a yearning for something beyond reach, whether it be solace, redemption, or simply an end to suffering. The overall effect is one of profound melancholy and quiet desperation.