Joseph Severn – Hiding the Bible
1861 oil on canvas
Location: Russell-Cotes Art Gallery, Bournemouth.
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A woman stands over him, her posture suggesting both protectiveness and vigilance. She is dressed in simple garments – a white tunic beneath a deep red cloak – and holds a gardening tool, likely a trowel, which she uses to disturb the earth around them. The gesture isnt overtly aggressive but implies an active role in concealing or safeguarding something. Her gaze is directed towards an unseen point beyond the frame, hinting at potential danger or the expectation of discovery.
The landscape itself contributes significantly to the narrative. A cross is visible on a distant hill, subtly referencing religious persecution and sacrifice. The lush vegetation creates a sense of enclosure and concealment, reinforcing the clandestine nature of the scene. Light plays a crucial role; it highlights the open book and illuminates the woman’s face, drawing attention to these key elements while leaving much of the mans form in shadow.
Subtexts within this painting revolve around themes of faith, resistance, and preservation. The act of hiding the book suggests an attempt to protect knowledge or religious beliefs from suppression. The juxtaposition of military attire with a domestic setting – the woman’s gardening tool – implies a blurring of roles and a quiet rebellion against imposed authority. The overall atmosphere evokes a sense of tension and uncertainty; it is a moment suspended between risk and hope, where the preservation of something precious depends on discretion and courage.