Jacques D’Agar (Attributed) – Ulrika Eleonora d.a. (1656-1693), Queen of Sweden Princess of Denmark
1677.
Location: National Museum (Nationalmuseum), Stockholm.
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Her hair, styled in elaborate curls characteristic of the late 17th century, is loosely arranged around her face and secured with what appears to be jeweled ornamentation. The texture of the hair is suggested through careful brushwork, creating a sense of volume and movement. She wears large, teardrop-shaped pearl earrings that draw attention to her face and contribute to an overall impression of wealth and status. A string of pearls encircles her neck, further emphasizing this aspect.
The woman’s attire consists of a low-cut gown in rich, contrasting colors – gold and deep blue. The fabric appears heavy and luxurious, with visible folds and drapery that add depth and dimension to the composition. A white linen or lace element is draped across her shoulders, softening the overall effect and providing a visual counterpoint to the darker tones of the gown.
The lighting in the painting is soft and diffused, illuminating the face and upper body while leaving the background in shadow. This technique focuses attention on the subject and creates an intimate atmosphere. The dark backdrop also serves to highlight the luminosity of her skin and the richness of her garments.
Subtly, theres a sense of restrained formality conveyed through the pose and attire. The woman’s posture is upright but not stiff, suggesting both dignity and a degree of personal composure. The elaborate details of her clothing and jewelry imply a position of privilege and social standing. The overall effect is one of quiet authority and understated elegance, hinting at a life lived within the confines of courtly protocol.