Brauner (9) Victor Brauner

The composition presents a surreal and unsettling scene dominated by figures rendered in a simplified, almost childlike style. A central structure, resembling a stylized house with the inscription MAISON HAUNTÉE (Haunted House) prominently displayed on its facade, anchors the visual field. This building is not depicted realistically; instead, it appears as a rigid, box-like construction with an exaggerated window arrangement and a small, ornate gate.
Flanking this structure are two figures in white coats, suggestive of medical professionals or perhaps individuals engaged in some form of institutional care. The figure on the left possesses an elaborate headpiece adorned with circular patterns and a red cross, creating a sense of both authority and unsettling theatricality. Its posture is stiff and somewhat awkward, contributing to the overall feeling of unease. The figure on the right exhibits a similar rigidity, but its gaze is directed outward, seemingly observing or assessing something beyond the frame. A smaller, darker-skinned face is superimposed onto this figure’s head, creating an intriguing layering effect that hints at complex identity and representation.
Beneath the left figure sits a small dog wearing what appears to be a miniature version of the same patterned garment as its companion. The text inscribed near the dog reads LE REGARD DU PÈRE (The Fathers Gaze), introducing a potential thematic element concerning paternal authority or observation. Similarly, the inscription beside the right figure, “MOI JE REGARDE L’INFINIE” (I look at infinity), suggests a yearning for transcendence or an attempt to grasp something beyond immediate comprehension.
The color palette is striking: a vibrant green background contrasts sharply with the white of the figures coats and the starkness of the house structure. The use of flat, unmodulated colors reinforces the dreamlike quality of the scene. There’s a deliberate lack of depth or perspective, flattening the space and contributing to the feeling that one is observing a staged tableau rather than witnessing a naturalistic event.
Subtextually, the painting seems to explore themes of authority, observation, identity, and perhaps even confinement. The Haunted House could symbolize psychological distress, institutional power structures, or the burden of familial expectations. The figures detached gazes suggest a sense of emotional distance or an inability to connect with the world around them. The layering of faces on the right figure introduces questions about representation, cultural identity, and the complexities of self-perception. Overall, the work evokes a feeling of psychological tension and invites contemplation regarding the nature of power, observation, and the human condition.