Willard Leroy Metcalf – waning summer 1916
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed an impasto technique, evident in the thick application of paint that creates textural depth across the surface. This is particularly noticeable in the rendering of the foliage and ground cover, where individual brushstrokes are readily discernible. The light appears to emanate from above, casting shadows that subtly define form and contribute to a sense of spatial recession.
The trees themselves are rendered with an emphasis on their stark white bark, which stands out against the surrounding colors. Their slender forms suggest fragility and resilience simultaneously; they appear both vulnerable to the elements and steadfast in their rootedness. The undergrowth is less precisely defined, appearing as a mass of tangled vegetation that obscures any clear path or focal point within the scene.
A sense of melancholy pervades the work. The vibrant colors, while visually appealing, also evoke the transient nature of beauty and the inevitability of decline. The waning light implied in the title suggests a period of transition, a moment poised between abundance and dormancy. It is possible to interpret this as a reflection on themes of loss, impermanence, or the cyclical rhythms of nature. The absence of human presence further reinforces the feeling of solitude and introspection.
The painting’s composition directs the viewers gaze upwards towards the sky, creating an impression of openness and expansiveness that contrasts with the density of the foreground. This interplay between enclosure and freedom contributes to a complex emotional resonance within the work.