Part 4 National Gallery UK – Lorenzo Costa - The Virgin and Child
1505
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Flanking the central figure are two winged figures, presumably angels, who appear to be in active adoration. Their poses are dynamic; one extends an arm towards the mother and child, while the other seems to lean forward in reverence. The rendering of their bodies emphasizes youthful forms, contributing to a sense of ethereal grace.
Below this upper section is a smaller landscape scene presented within a rectangular frame. This miniature vista depicts a tranquil body of water bordered by trees and foliage. Two additional angelic figures are positioned at the base of this framed view; one plays a flute while the other holds a tambourine, introducing an element of musical celebration into the overall narrative.
The use of light is significant. It illuminates the central figures with a soft glow, highlighting their faces and emphasizing the folds in their clothing. The background within the niche is rendered in a muted blue, which serves to further isolate and emphasize the main subjects. The landscape below appears bathed in a different quality of light, suggesting a separation between the divine realm above and the earthly world below.
Subtly, the architectural framework suggests a sense of sacred space – a sanctuary or shrine. The inclusion of the landscape scene introduces an element of natural beauty and tranquility, perhaps symbolizing paradise or a promise of redemption. The musical angels add a layer of festivity and joy, hinting at divine praise and celebration. Overall, the work conveys themes of maternal devotion, spiritual reverence, and the harmony between the celestial and terrestrial realms.