Pesellino (Manner of) – Putto in front of a Hedge of Roses
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see the putto kneeling, his body angled towards the viewer while his gaze is directed downwards at the roses he holds within cupped hands. His skin tone is pale, with subtle indications of blush on the cheeks and lips, conveying a sense of innocence and vitality. The hair, depicted in short, curly strands, frames a face marked by an expression that appears both contemplative and slightly melancholic. A green garment drapes across his body, loosely fitted and revealing portions of his torso. Large wings, rendered in shades of red and orange, extend from his back, their form somewhat stylized rather than realistically detailed.
The roses themselves are the focal point beyond the putto’s immediate presence. They appear as a vibrant splash of color against the dark backdrop, their petals painted with varying degrees of saturation to suggest depth and texture. The foliage surrounding the roses is rendered in darker greens and browns, creating a sense of enclosure and mystery.
The background itself is predominantly dark, almost black, which serves to isolate the putto and the roses, drawing attention to them as central elements within the scene. This darkness also contributes to an overall atmosphere of quiet introspection. The limited palette – dominated by earthy tones punctuated by the pinks and reds of the roses and wings – reinforces this mood.
Subtextually, the image likely alludes to themes of love, beauty, and perhaps even loss or fleeting joy. Roses are frequently symbolic of these concepts in art historical contexts. The putto’s gesture of holding the flowers suggests a reverence for their beauty, while his downcast gaze might imply a sense of fragility or transience associated with them. The darkness surrounding him could be interpreted as representing the challenges or sorrows that often accompany such experiences. The overall effect is one of delicate sentimentality and quiet contemplation, characteristic of works intended to evoke emotional resonance rather than narrative complexity.