Lorens Pasch the Younger (Attributed) – Sofia Magdalena (1746-1813), Queen of Sweden Princess of Denmark
1768. 76×60
Location: National Museum (Nationalmuseum), Stockholm.
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The artist has rendered the subject’s skin tone with careful attention to light and shadow, creating a sense of volume and realism. The elaborate hairstyle, typical of the period, dominates the upper portion of the composition; its constructed from pale hair interwoven with decorative elements including feathers and jewels. This coiffure serves not only as an aesthetic feature but also as a visual marker of status and refinement.
The woman’s clothing is equally significant. A delicate lace-trimmed gown forms the base, layered with what appears to be a fur-lined mantle draped over her shoulders. The mantles rich blue hue contrasts subtly with the pale tones of the dress and hair, drawing attention to its luxurious texture. Around her neck, she wears an intricate choker composed of dark beads and sparkling embellishments, further highlighting her elevated position. Several rings adorn her fingers, adding another layer of detail indicative of wealth and privilege.
The overall effect is one of controlled elegance and restrained power. The artist’s choice of a close-up composition focuses the viewers attention on the subject’s face and upper body, allowing for an intimate portrayal while simultaneously conveying a sense of formality. The lack of background details reinforces this focus, suggesting that her identity and status are paramount.
Subtly, there is a certain stiffness to the pose; it isnt entirely naturalistic but rather conveys a deliberate presentation of self – likely intended to project an image of regal composure and unwavering authority. The gaze, while direct, lacks warmth, contributing to this impression of distance and formality.