Edward Lear – The Forest of Valdoniello, Corsica
1869. 92×148
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a muted palette, with cool tones of blue and grey prevailing in the background, contrasting with the warmer greens and browns of the foreground foliage. This creates a sense of atmospheric perspective, enhancing the impression of depth and distance. The light appears diffused, suggesting either an overcast day or a time of day when sunlight is softened by the surrounding terrain.
The forest itself is rendered with considerable detail; individual trees are distinguishable, their trunks rising vertically to form a dense canopy. This density creates a visual barrier, obscuring what lies beyond and contributing to a feeling of enclosure. The mountains in the background appear almost ethereal, their peaks shrouded in mist or snow, lending them an air of grandeur and remoteness.
Subtly, the presence of the human figures introduces themes of exploration and interaction with nature. Their small size relative to the landscape suggests humanity’s insignificance within a larger, more powerful natural world. The path itself can be interpreted as symbolic – representing a journey, either literal or metaphorical, through an unfamiliar territory.
The overall effect is one of contemplative solitude and awe-inspiring scale. It evokes a sense of romanticism, characteristic of depictions that emphasize the sublime power and beauty of nature while acknowledging human vulnerability within it. The painting seems to invite reflection on humanity’s place in the world and the enduring allure of wild, untamed landscapes.