Roger Eliot Fry – Still Life with Apples, Plums and a Jug
1919 oil on canvas
Location: Private Collection
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Several apples are prominently displayed; their forms are rendered with simplified shapes and bold color contrasts – deep crimson against the lighter background. A bowl holds several more apples, partially obscuring the jug behind it. The plums exhibit a range of hues from vibrant purple to muted green, suggesting ripeness and varying stages of maturity. Their placement is somewhat scattered, contributing to an overall sense of casual arrangement rather than meticulous order.
The ceramic jug occupies a central position within the composition. Its dark brown coloration provides a visual anchor, contrasting with the lighter tones surrounding it. The artist has not rendered its form with precise detail; instead, broad strokes suggest volume and texture.
A large, loosely folded cloth serves as the foundation for the arrangement. It is painted in shades of white and cream, with darker shadows indicating folds and depth. The fabric’s unevenness contributes to a feeling of spontaneity and informality. A small section of what appears to be a wooden surface peeks out from beneath the cloth at the bottom edge of the painting.
The lighting seems diffused, casting soft shadows that flatten the forms somewhat. This lack of dramatic chiaroscuro reinforces the overall sense of stillness and quiet observation.
Beyond the purely descriptive elements, the arrangement suggests themes of abundance and transience. The fruit, symbols of nourishment and vitality, are presented in a state of ripeness, hinting at their inevitable decay. The draped cloth, a traditional element in still life painting, can be interpreted as representing domesticity or concealment – perhaps alluding to hidden narratives or emotions. The simplicity of the composition and the muted color scheme evoke a sense of melancholy and contemplation, inviting viewers to consider the fleeting nature of beauty and existence.