Mountain Lake. Finnish landscape (Sketch. The sketch for the painting) Roerich N.K. (Part 2)

The composition presents a vista dominated by water and distant landforms, rendered in a style that prioritizes mood over precise representation. A large body of water occupies most of the canvas, its surface reflecting the muted tones of the sky above. The horizon line is relatively low, emphasizing the expanse of the lake and creating a sense of openness.
The foreground features a rocky outcrop, depicted with broad strokes of green, purple, and brown pigments. These colors are applied in a manner that suggests texture and volume, though detail is sacrificed for an overall impression of ruggedness. The rocks appear to slope downwards towards the viewer, leading the eye into the scene.
Across the water, a series of hills or low mountains rise, their forms simplified and abstracted. They are painted in shades of blue and grey, with hints of green suggesting vegetation. These distant landforms lack sharp definition; they blend into one another, contributing to the painting’s atmospheric quality. The sky itself is rendered as a wash of pale blues and greys, devoid of any distinct cloud formations.
The color palette is restrained, relying primarily on cool tones – blues, greens, purples, and greys. This limited range contributes to a feeling of tranquility and perhaps even melancholy. The application of paint appears somewhat loose and gestural, suggesting this work might be an initial study or sketch for a larger piece. Theres a deliberate lack of meticulous detail; the artist seems more interested in capturing the essence of the landscape than in creating a photographic likeness.
Subtly, the painting conveys a sense of isolation and vastness. The scale of the water and landforms dwarfs any potential human presence, reinforcing the power and indifference of nature. The subdued color scheme and simplified forms evoke a feeling of quiet contemplation, inviting the viewer to reflect on the landscape’s inherent stillness.