Roerich N.K. – City
1916. Paper on cardboard, tempera. 48.2 x 64; dimensions: 51 x 68 x 3 cm
Location: . Krasnodar Regional Art Museum. FA Kovalenko. Russia
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The palette is restrained, primarily utilizing earthy tones – ochres, browns, and muted yellows – contrasted against deep blues and purples that define the sky and shadows. The application of paint appears deliberate, with broad strokes creating a textured surface. A noticeable use of gold leaf accents certain areas, particularly in the upper portion of the composition, lending an ethereal quality to the scene.
The artist’s choice to flatten perspective and reduce architectural details suggests a focus on conveying an emotional or symbolic meaning rather than a realistic depiction. The buildings seem less like individual structures and more like components of a larger, unified entity. This abstraction evokes a sense of timelessness and universality; it is not necessarily a representation of a specific place but rather a meditation on the concept of urbanity itself.
The presence of an arched gateway in the foreground, adorned with sculpted figures, introduces a layer of narrative ambiguity. These figures appear to be engaged in some form of ritual or procession, hinting at a cultural or spiritual significance associated with the city depicted. The dark background contributes to a feeling of solemnity and introspection, further reinforcing the painting’s symbolic weight.
Subtly, there is an impression of confinement; the buildings seem pressed against one another, suggesting a sense of community but also perhaps limitations or constraints inherent in urban life. The overall effect is one of quiet contemplation, inviting viewers to consider the complex relationship between humanity and its built environment.