Roerich N.K. – Prince Igor. I act
1914. Gray paper, gouache, bronze, silver paint, pencil. 27.0 x 15.4 cm.
Location: Department of Private Collections of Fine Arts State Museum. A.S. Pushkin. Russia.Moskva
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a flattened perspective, characteristic of certain iconographic traditions, which contributes to the figure’s monumental presence. The armor itself is not realistically portrayed; instead, it appears as an assemblage of decorative plates, each outlined with dark contours and filled with intricate patterns. These patterns, reminiscent of Byzantine or early Russian ornamentation, lend a sense of stylized grandeur to the warriors attire.
The helmet, topped with a pointed finial, further emphasizes this formal quality. The face is not visible, obscured by the visor, which reinforces an impression of anonymity and suggests that the figure represents a symbolic embodiment of power rather than an individual person.
Color plays a crucial role in conveying meaning. The gold tones of the armor contrast sharply with the red of the shield and the dark outlines, creating visual dynamism. This color palette evokes associations with royalty, valor, and perhaps even sacrifice.
The overall effect is one of restrained energy and solemnity. The figure’s posture suggests a readiness for action, but his expression remains hidden, leaving room for interpretation regarding his intentions or emotional state. Theres an underlying sense of theatricality; the rigid pose and stylized rendering suggest that this is not a depiction of everyday life, but rather a carefully constructed representation intended to convey a specific narrative or symbolic meaning within a larger dramatic context. The limited background space focuses attention entirely on the figure and his imposing presence.