Girl. 1st Act Roerich N.K. (Part 2)
Roerich N.K. – Girl. 1st Act
1912. Paper cardboard, white, pencil, watercolor, tempera, bronze, silver or gray cardboard paper, graphite pencil, gouache, silver and bronze colors. 24.1 x 15.1 cm].
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Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
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Here we see an elongated form with disproportionately long limbs. The head is rendered with large, simplified features – oversized eyes and a small mouth – contributing to an overall impression of theatricality and perhaps even caricature. A complex headdress dominates the upper portion of the composition; it’s constructed from layered fabrics in shades of red, yellow, and white, interwoven with what appear to be strands of hair or decorative cords. This elaborate headwear obscures much of the face, adding a layer of mystery and emphasizing the costume as an integral part of the characters identity.
The torso is sparsely covered; a sheer fabric drapes loosely over the shoulders and upper arms, revealing the underlying skin tone. The lower body is adorned with a skirt or tunic featuring a vibrant pattern of red, green, and white – a combination that draws attention to the figure’s feet. These are encased in tall, heavily ornamented boots, further emphasizing the theatrical nature of the presentation.
The color palette is bold and somewhat jarring. While theres an attempt at shading to suggest volume, the colors remain largely flat, contributing to a two-dimensional effect. The background is a muted beige, which allows the figure’s vibrant costume to stand out.
Subtly, the drawing seems to explore themes of identity and performance. The obscured face suggests a character hidden behind a mask or persona. The exaggerated proportions and stylized rendering imply that this is not intended as a realistic portrait but rather an exploration of theatrical archetype. The elaborate costume itself becomes a symbol of constructed identity – a deliberate fabrication designed for display. Theres a sense of melancholy conveyed through the figure’s posture, hinting at a potential disconnect between the individual beneath the costume and the role they are compelled to play.