Chudes underground (Chudes underground left) Roerich N.K. (Part 2)

The composition presents a subterranean landscape rendered in a style characterized by flattened perspective and simplified forms. A dominant, arched rock formation occupies the upper portion of the canvas, its surface textured with broad strokes of ochre, grey, and white against a backdrop of muted blue. Below this, a vast expanse of green defines the middle ground, punctuated by darker, rocky outcroppings that seem to rise from the earth.
Along the lower edge, figures are clustered within a shadowed area. These individuals appear diminutive in scale compared to the monumental geological formations surrounding them. Their postures suggest a sense of weariness or resignation; some lean against rocks, while others stand with bowed heads. The artist has employed a limited palette – primarily greens, browns, ochres, and blacks – which contributes to an atmosphere of somberness and confinement.
The gold leaf bordering the composition introduces a layer of complexity. It simultaneously frames the scene as if it were a precious relic and hints at a spiritual or symbolic significance beyond the literal depiction of a subterranean space. The absence of clear light sources reinforces the feeling of being trapped within an enclosed, almost dreamlike environment.
Subtexts embedded in this work suggest themes of hardship, endurance, and perhaps even subjugation. The figures’ small size relative to their surroundings implies vulnerability and powerlessness. The underground setting itself can be interpreted as a metaphor for oppression or exile – a place removed from the surface world and its freedoms. The gold leaf may signify hope or redemption, but it is presented within a context of profound melancholy, creating an ambiguous emotional resonance.