Roerich N.K. – Brangane
1912. Paper on cardboard, graphite pencil, tempera. 23.6 x 15.8 cm.
Location: Bakhrushin Theatre Museum, Moscow (Театральный музей им. А. А. Бахрушина).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Her attire immediately draws attention. A long, deep red dress dominates the visual field, its simplicity punctuated by decorative bands along the sleeves and hem. Over this, she wears a dark cloak that envelops her form, obscuring much of her body while adding to the overall impression of enclosure. The most striking element is undoubtedly the elaborate headwear: a white cap adorned with long, cascading strands of orange-red fabric that frame her face and fall down her chest. These strands appear almost like braids or ribbons, contributing to an air of traditional ceremony or ritual.
The artist’s choice of color palette – the deep reds, dark blues, and stark whites – creates a visual tension. The red dress suggests warmth and vitality, while the blue cloak introduces a sense of coolness and distance. The white headwear provides contrast but also reinforces the feeling of formality.
There is an intentional flatness to the work; perspective is minimal, and the figure appears almost two-dimensional. This stylistic choice contributes to a sense of timelessness, suggesting that the subject exists outside of specific historical context.
The presence of text in the lower right corner – a handwritten inscription and what seems to be a library stamp – introduces an element of documentation or archiving. It suggests that this image is not merely a work of art but also a record of something else: perhaps a costume, a tradition, or a cultural practice. The text disrupts the visual harmony, reminding the viewer of the painting’s existence as an object within a larger system of knowledge and preservation.
Subtly, the figures anonymity – the lack of individualized features – allows for broader interpretations. She becomes less an individual portrait and more a representation of a cultural archetype or a symbol of tradition itself. The overall effect is one of quiet dignity and enduring significance, hinting at a deeper narrative that remains largely unspoken.