King Mark (2nd act) Roerich N.K. (Part 2)

The drawing presents a figure in elaborate ceremonial attire, seemingly intended for theatrical production. The central focus is on the costume itself, rendered with a deliberate flatness and simplified forms characteristic of design sketches. A vibrant crimson cloak dominates the composition, its deep hue contrasting sharply with the cooler tones of the garments beneath.
Beneath the cloak, we observe layers of clothing: a green tunic, a blue vest adorned with stylized floral motifs in gold, and dark trousers tucked into high boots. The figure’s head is framed by a black cap, from which long strands of hair cascade down the front, creating an unusual visual emphasis on the facial area. A prominent white beard further contributes to this effect, lending the character an air of age or perhaps even otherworldliness.
Flanking the central figure are several smaller objects – a hat, a small pouch, and what appears to be a ceremonial goblet or chalice. These items seem intended as supplementary elements for the costume design, providing additional details about the character’s status or role within the narrative.
The color palette is bold and symbolic. The red of the cloak suggests royalty, power, or perhaps even sacrifice. The green and blue hues might represent hope, fidelity, or a connection to nature. The gold accents on the vest signify wealth and prestige.
A sense of theatricality pervades the drawing; it’s not intended as a realistic portrait but rather as a schematic representation of a characters visual identity for stage performance. The simplified forms and flattened perspective reinforce this impression, prioritizing clarity of design over naturalistic detail. The inclusion of props alongside the figure suggests an emphasis on spectacle and ritual within the play’s context.

The text inscribed to the right appears to be a signature or attribution, further confirming its function as a preparatory study for a theatrical production.