Kingdom trolls Roerich N.K. (Part 2)

The composition presents a subterranean environment dominated by cool tones – primarily blues and greens – that evoke a sense of depth and mystery. The artist has rendered the space as a series of layered rock formations, creating a complex interplay of light and shadow. These geological structures are not depicted with realistic detail; instead, they are simplified into broad planes and angular shapes, contributing to an overall feeling of stylized fantasy.
Within this cavernous setting, several small figures are visible. They appear humanoid but possess a primitive quality, their forms reduced to essential outlines. The placement of these figures – clustered together in the upper portion of the scene – suggests a communal or tribal existence. Their posture is ambiguous; they seem to be engaged in some form of activity, though its nature remains unclear.
The illumination within the painting is peculiar. It emanates from several points within the rock formations, casting an uneven glow across the scene. These light sources are not naturalistic and appear more like beacons or symbolic markers than actual sunlight or firelight. The golden hues of these lights contrast sharply with the prevailing blue-green palette, drawing attention to specific areas and adding a touch of warmth to the otherwise cold environment.
The painting’s subtexts revolve around themes of isolation, community, and perhaps even ritualistic practice. The subterranean setting implies a retreat from the outside world, suggesting a society that exists on its own terms, hidden from view. The simplified figures could be interpreted as representing an ancient or primordial people, embodying a connection to nature and a rejection of modern civilization. The unusual lighting further reinforces this sense of otherness, hinting at a realm governed by different rules and beliefs. Overall, the work evokes a feeling of quiet contemplation and invites viewers to ponder the mysteries of a hidden world.