John Francis Rigaud – Joseph Nollekens with His Bust of Laurence Sterne
1772. 76×64
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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Dominating the lower portion of the painting is a bust of a man, rendered in stark contrast to the subject’s vibrant coloring. This figure possesses a somber countenance, his eyes cast downwards as if lost in thought. The busts pale complexion and detailed rendering suggest an attempt at capturing not only physical likeness but also psychological depth.
The arrangement of the figures – the living man leaning protectively over the sculpted head – introduces layers of subtext. It suggests a relationship between creator and creation, or perhaps a dialogue across time and artistic mediums. The bust’s downward gaze could be interpreted as representing introspection, loss, or even mortality, themes often explored in literature and art of this era. The subjects pose, while seemingly relaxed, also conveys a sense of responsibility – a burden carried by those who immortalize others through their craft.
The lighting is carefully orchestrated to highlight the subject’s face and hands, drawing attention to his role as an artist. The darker background serves to isolate him and the bust, emphasizing their significance within the composition. Overall, the painting conveys a sense of intellectualism, artistic dedication, and a quiet contemplation on themes of creation, legacy, and human existence.