Johann Baptist Lampi – Portrait of His Grace Prince Platon Aleksandrovich Zubov
1793. 108×88
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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The portrait presents a young man in a relaxed pose, seated on a lavishly upholstered chair. He is depicted from the chest up, angled slightly towards the viewer with a direct gaze that conveys both confidence and a degree of studied nonchalance. The sitters attire consists of a deep blue velvet coat trimmed with fur, paired with a pale pink cravat – a combination indicative of fashionable dress in the late 18th century. His hair is styled in the prevalent à la militaire fashion, emphasizing height and volume.
The setting is an interior space, likely a study or private chamber, suggested by the presence of several symbolic objects arranged on a table behind him. A terrestrial globe stands prominently, alongside a quill pen resting in an inkwell, and what appears to be a partially unfurled map. These elements collectively imply intellectual pursuits, exploration, and perhaps even political involvement. The arrangement is not haphazard; it seems carefully orchestrated to project an image of erudition and worldly experience.
The lighting is soft and diffused, highlighting the sitters face and emphasizing the texture of his velvet coat. Shadows are subtly employed to define form and create a sense of depth within the composition. The color palette is restrained, dominated by blues, pinks, and browns, contributing to an overall impression of elegance and refinement.
Beyond the surface representation, the painting suggests several subtexts. The globe and map might allude to ambitions beyond national borders or involvement in international affairs. The quill pen and inkwell could signify a talent for writing or diplomacy. The relaxed posture, while seemingly casual, may be intended to convey an air of authority and self-assurance. The luxurious fabrics and opulent chair underscore the sitter’s privileged social standing. Ultimately, the portrait aims not merely to record likeness but also to construct a carefully curated persona – that of a man of intellect, influence, and considerable means.