Part 4 Prado Museum – Coxie, Michiel I -- Santa Cecilia
1569, 136 cm x 104 cm, Lienzo, Óleo.
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Flanking the central figure are three smaller figures: two winged angels positioned behind her, and a young boy seated at the lower left corner. One angel holds open a book, seemingly following along with the music being played. The other angel appears to be observing the scene with quiet contemplation. The boy, similarly focused on the keyboard, leans in as if eager to participate or learn from the woman’s skill. Their presence establishes a sense of communal appreciation for the musical performance and suggests a lineage or transmission of knowledge.
The background is deliberately subdued, consisting primarily of dark drapery that serves to isolate and highlight the figures in the foreground. The limited detail in the backdrop directs the viewers attention entirely towards the central action. Scattered sheets of music lie on the floor near the keyboard, reinforcing the theme of musical creation and study.
Subtly, the painting explores themes of divine inspiration and artistic talent. The presence of angels suggests a connection to the celestial realm, implying that the woman’s musical ability is not solely her own but rather a gift bestowed from above. The youthfulness of all figures involved – the woman, the angels, and the boy – implies an enduring quality; music transcends generations and embodies timeless beauty. The arrangement also evokes a sense of harmony and order, reflecting the perceived connection between music and cosmic balance.