George Cattermole – The Raising of Lazarus
w/c on paper
Location: Victoria and Albert Museum, London.
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The composition is structured around this pivotal moment; the crowd is densely packed, creating a sense of urgency and collective witness. Several figures kneel in postures of supplication or despair near the foreground, their faces etched with sorrow. A figure lying prone on the ground, shrouded in white cloth, occupies a position of particular significance – seemingly the object of the central figure’s attention.
The artist employed a strong contrast between light and shadow to heighten the emotional impact. Light emanates from an unseen source, illuminating the central figure and highlighting his outstretched arm, while leaving much of the surrounding area in deep darkness. This creates a theatrical effect, drawing the viewers eye directly to the action taking place. The use of color is also noteworthy; the red of the central figure’s garments stands out against the muted tones of the crowd’s attire, further emphasizing his importance and perhaps symbolizing sacrifice or divine power.
Beyond the literal depiction of a resurrection event, subtexts relating to faith, hope, and mortality are evident. The collective grief displayed by the onlookers suggests an understanding of loss and the fragility of life. The central figures gesture implies not only the ability to overcome death but also the potential for redemption and renewal. The darkness surrounding the scene can be interpreted as a representation of the unknown or the spiritual realm, while the light signifies divine intervention and the promise of salvation. The composition’s density and emotional intensity suggest a profound exploration of human suffering and the enduring power of belief.