Study of a Lioness John Frederick Lewis (1804-1876)

The drawing presents a feline subject – likely a lioness – in a dynamic and forceful posture. The animal is depicted in a reclining position, its body angled diagonally across the composition. Its mouth is open wide, revealing a detailed rendering of teeth and tongue, suggesting a roar or an expression of intense emotion.
The artist employed a watercolor technique that emphasizes fluidity and transparency. Washes of color – primarily ochre, brown, and touches of blue – define the form, while leaving areas unpainted to suggest light and shadow. The fur is indicated through short, rapid brushstrokes, conveying texture and movement. A sense of immediacy permeates the work; it feels less like a finished piece and more like a spontaneous study capturing a fleeting moment.
The background is rendered with broad strokes of blue and white, creating an atmospheric effect that contrasts with the detailed depiction of the lioness. This contrast draws attention to the animal as the central focus. The tail, partially visible in the upper right corner, appears unfinished, further reinforcing the impression of a preliminary study.
Beyond the straightforward representation of a wild cat, the drawing evokes themes of power and primal energy. The open mouth, a symbol of vocalization and dominance, suggests an assertion of authority. The reclining posture, while seemingly relaxed, does not diminish this sense of strength; rather, it implies a controlled power held in reserve. The unfinished quality of the work contributes to its raw emotional impact, suggesting that the artist sought to capture not just the appearance but also the essence of the animal’s character.