John Frederick Lewis – Two Women at Brussa
gouache on paper
Location: Whitworth Art Gallery, The University of Manchester, Manchester.
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On the left, a woman is seated, her posture conveying a sense of quiet contemplation. She wears a dark, fitted jacket adorned with intricate embroidery around the collar and cuffs. A vibrant red turban sits atop her head, its elaborate folds contrasting with the subdued tones of her garment. Her gaze appears directed downwards or slightly away from the other figure, suggesting introspection or perhaps a degree of reserve.
The woman on the right is positioned closer to the viewer, leaning forward as if drawn into the conversation. She is dressed in lighter attire – a flowing white robe belted at the waist with a decorative sash. A headscarf covers her hair, and she rests her chin upon her hand, an action that implies attentiveness or perhaps a touch of melancholy. Her eyes are fixed on the seated woman, indicating active engagement in their exchange.
The artist’s handling of color and line contributes to the overall mood. The palette is restrained, relying primarily on earth tones and muted hues. Loose brushstrokes define the forms, creating a sense of immediacy and spontaneity. Details are suggested rather than meticulously rendered, which lends an air of intimacy and informality to the scene.
Beyond the surface depiction, the painting hints at underlying narratives. The contrast in dress and posture between the two women might suggest differences in social status or temperament. The setting itself – the enclosed space – could symbolize a sense of isolation or confinement, while their conversation implies shared experiences or secrets. Theres an element of quiet drama present; the viewer is invited to speculate on the nature of their relationship and the content of their dialogue. The work evokes a feeling of observing a private moment, captured with sensitivity and nuance.