Pompeo Girolamo Batoni – James Caulfeild, 4th Viscount Charlemont (Later 1st Earl of Charlemont)
1753~1756. 98×74
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The man’s clothing is particularly noteworthy. He wears an elaborate coat in shades of teal and white, accented with intricate gold embroidery along the lapels and cuffs. Beneath this, a waistcoat with a complex arrangement of buttons and decorative stitching is visible. The trousers are a vibrant red, adding a splash of color that contrasts with the cooler tones of the coat. This ensemble speaks to a certain level of wealth and social standing; it’s not merely functional but demonstrably fashionable.
Behind him, through an arched opening, lies a landscape featuring what seems to be a grand estate or country house. The building is rendered in muted colors, suggesting distance and perhaps hinting at the subjects ownership or connection to landed property. This backdrop serves as more than just scenery; it reinforces his position within a hierarchical society.
The artist has employed a technique that softens edges and blends tones, creating an overall impression of refinement and elegance. The brushwork is relatively smooth, contributing to a sense of idealized representation rather than strict realism.
Subtly, the posture – leaning casually with one hand in a pocket – suggests leisure and authority. It’s not a pose of strenuous activity or urgent purpose; instead, it conveys an ease born of privilege. The gaze is direct but controlled, avoiding any overt display of emotion while still establishing a connection with the observer. This combination of relaxed posture and measured expression contributes to a portrait that aims to convey not only physical likeness but also character and social status.