Saint Nicholas of Bari Matteo di Giovanni di Bartolo (1430-1495)

The composition presents a solitary figure set against a gilded background. The individual is depicted in full length, standing within an architectural framework that suggests a niche or recessed space. This framing emphasizes his centrality and elevates him visually.
He wears elaborate ecclesiastical vestments: a tall mitre adorned with gold embellishments sits atop his head, while a flowing blue mantle covers a red undergarment. The richness of the fabrics is suggested through careful rendering of folds and drapery. Gold detailing appears on both the mantle and the mitre, signifying status and divine connection. His hands are positioned in gestures that convey authority and benevolence; one holds a small, indistinct object – likely symbolic – while the other rests upon a staff, a traditional attribute of bishops and pilgrims.
The figure’s face is characterized by a solemn expression and a somewhat elongated nose, typical of artistic conventions prevalent during the period. The skin tone appears dark brown, which may reflect stylistic choices or represent an attempt to depict ethnic diversity within the religious narrative.
The backgrounds gold leaf creates a luminous effect, drawing attention to the figure while simultaneously evoking a sense of otherworldly grandeur and spiritual significance. The architectural elements surrounding him are rendered with a degree of stylized simplicity, contributing to the overall formality of the presentation.
Subtly, there is an austerity in the work. While the gold suggests opulence, the limited palette and straightforward composition convey a focus on piety and devotion rather than lavish display. The figure’s posture – upright but not overly dynamic – suggests steadfastness and spiritual strength. The overall impression is one of dignified solemnity, intended to inspire reverence and contemplation in the viewer.