#04429 Xavier Valls (1923-2006)

The drawing presents a study of a chalice or goblet, rendered in a monochromatic palette of muted browns and creams. The object dominates the composition, centrally positioned against a textured background that appears to be created with chalk or a similar dry medium. A horizontal line near the bottom edge suggests a tabletop or ledge upon which the vessel rests.
The artist has employed shading techniques to delineate form and volume. Light seems to emanate from the upper left, casting shadows that define the curves of the chalice’s bowl, stem, and base. The rendering is not entirely precise; theres an intentional looseness in the lines, suggesting a preliminary sketch or study rather than a finished work. This contributes to a sense of immediacy and observation.
The background isnt merely a backdrop but actively participates in the visual experience. Its uneven texture, achieved through varied pressure and layering of the drawing material, creates a subtle dynamism that contrasts with the relative stillness of the chalice. The indistinct nature of the background also serves to isolate the object, focusing attention on its form and details.
Subtextually, the image evokes themes of ritual and contemplation. Chalices are frequently associated with religious ceremonies or symbolic offerings, suggesting a potential connection to spirituality or tradition. However, the drawing’s unfinished quality prevents it from conveying any specific narrative or dogma. Instead, it offers a purely formal exploration of shape and light, inviting viewers to consider the objects inherent beauty and presence. The lack of color further reinforces this sense of quiet introspection. The artist seems less interested in depicting a particular chalice than in examining the essential qualities of its form – its weight, balance, and interaction with light.