Liechtenstein Museum – Massimo Stanzione - Massacre of the Innocents
1630. 127x153. Harrach Castle Rohrau Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman herself appears overwhelmed by grief and terror; her body leans protectively over another infant, shielding it from the unfolding horror. Her expression conveys profound anguish, amplified by the stark contrast between her pale skin and the darker tones of the surrounding figures. A second man, positioned slightly behind the first, wears a helmet and carries what seems to be a spear or similar weapon, suggesting participation in the violent act.
Several other children are present within the scene, their reactions ranging from outright terror – as evidenced by one child’s wide-eyed gaze and open mouth – to passive acceptance of their fate. The scattered limbs and discarded objects on the floor contribute to the overall sense of chaos and loss. A disembodied hand lies near the foreground, a poignant symbol of innocence lost.
The artist employs a dramatic use of light and shadow, known as chiaroscuro, to heighten the emotional impact. Strong illumination focuses attention on the central figures, emphasizing their suffering while plunging other areas into relative darkness. This technique not only creates visual drama but also serves to underscore the moral gravity of the depicted event.
The palette is dominated by earthy tones – ochres, browns, and reds – which reinforce the grim subject matter. The limited range of colors contributes to a feeling of claustrophobia and despair. The background appears indistinct, suggesting an unspecified location and further isolating the figures within their tragic circumstance.
Beyond the literal depiction of violence, the painting seems to explore themes of power, injustice, and the vulnerability of innocence. The contrast between the aggressors’ forceful actions and the victims helplessness evokes a sense of profound moral outrage. It is likely intended as a commentary on the abuse of authority and the devastating consequences of cruelty.