RedSnow CSCU LbCBX 22 Stable Chen Beixin

The canvas presents a landscape rendered in thick, impasto brushstrokes, dominated by a palette of earthy tones punctuated by stark whites and blues. Here we see a dense cluster of trees forming a central mass, their forms abstracted and distorted through vigorous application of paint. The foliage appears almost chaotic, with individual leaves or branches indiscernible; instead, the viewer perceives an overall texture of tangled growth.
The ground plane is delineated in shades of ochre and brown, sloping upwards towards the treeline. A body of water, rendered in a cool blue-grey, occupies the right side of the composition, its surface agitated by implied wind or current. The sky above is similarly turbulent, composed of swirling brushstrokes that suggest movement and atmospheric instability.
The artist’s technique emphasizes materiality; the paint itself becomes an integral element of the work, creating a palpable sense of depth and texture. Light appears to emanate from multiple sources, casting shadows and highlights across the scene in a manner that defies conventional perspective. This contributes to a feeling of disorientation and dreamlike unreality.
Subtly, theres a tension between the organic forms and the almost violent application of paint. The trees, while seemingly natural, are presented with an intensity that borders on aggression. The color choices – the juxtaposition of warm earth tones against cool blues and whites – suggest a conflict or contrast within the landscape itself. It’s possible to interpret this as a representation not merely of a physical place, but also of an emotional state; perhaps one characterized by struggle, resilience, or a sense of overwhelming power. The lack of clear focal points encourages prolonged viewing and invites multiple interpretations, leaving the viewer to construct their own narrative from the fragmented visual information presented.