Beata Brahe (1599-1617) Johan Johansson (Jägerdorfer) Werner d.a.

The portrait presents a young woman in full length, positioned centrally against a dark, indistinct background. She is depicted in elaborate attire, dominated by a rich red and gold gown with intricate patterns woven into its fabric. The dress features a high collar and long sleeves, typical of the period’s fashion. A delicate pearl necklace adorns her neck, and her hair is styled simply, cascading down her shoulders.
In her outstretched hand, she holds a small, ornate box or container, seemingly offering it to the viewer. At her feet rests a lamb, an animal often associated with innocence, gentleness, and sacrifice in Christian iconography. Above her head, a single pigeon flies, symbolizing peace and possibly divine guidance. A heraldic crest is visible in the upper right corner, accompanied by dense text that appears to be an inscription or motto.
The artist’s use of light focuses primarily on the womans face and hands, drawing attention to these areas while leaving the background shrouded in shadow. This creates a sense of depth and emphasizes her presence as the focal point. The composition is formal and restrained, characteristic of portraiture intended to convey status and virtue.
Subtleties within the imagery suggest layers of meaning beyond a simple likeness. The lamb at her feet could represent purity or perhaps foreshadowing a sacrificial role. The pigeon’s flight might allude to aspirations for peace or spiritual elevation. The box she holds is ambiguous; it may contain something precious, symbolic of her virtues or responsibilities. The inscription, though illegible in detail, reinforces the notion that this portrait serves as a record of identity and lineage, intended to be understood within a specific social context. Overall, the painting conveys an impression of dignity, piety, and belonging to a noble family.